I wasn’t saving lives, but I was doing something.” Endgame was a good thing because it felt like I was doing something. But you do what you can, so I focused on my writing. “I was getting government letters saying: ‘Don’t go out.’ I was trying to live as normal a life as possible, knowing full well it was extraordinary circumstances. “It has been a very strange time,” she says. Having been classed as extremely vulnerable due to a health condition, Blackman has been isolating for most of the pandemic – and it is clear that, as she puts it, she “loves a chat”. The last 18 months, however, have been a significant challenge. She felt it even when going into schools to a sea of white faces, where the librarian would say: “But you’re just writing for black children.” She did when she went into bookshops and found her books hidden away on the “multicultural” shelf she’d simply pull them out and refile them under B. She remained so when she opened her 82nd rejection, before her first book, Not So Stupid!, was published in 1990. M alorie Blackman is used to staying hopeful.
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